Suffragette truthful portrays a working class women’s life in Britain in the 1900’s and it’s a rum one at that. Women toiled working in the factories of Britain, in the giant machine that was the industrial revolution. Whilst also expected to be a housewife and mother, and your husband got paid more than you for doing the same job. It is hard to believe the sexism that existed a century ago.
In ‘Suffragette’ The women’s jobs are in a laundry in
Bethnal green, the owner is a leery bastard with a sexual appetite for young
girls, it is quickly inferred that the central character Maude Watts (Carey
Mulligan) has been sexually abused by him from a young girl, hence why she gets
‘special treatment’ as an adult. It is
the women that get the hard labour jobs of washing, ironing etc that cause them
to have sores, scolds, lung irritation and headaches, while the men run
deliveries in the fresh air. From the start of the film the injustices are laid
plain to see. It is made pretty clear why things needed to change.
‘Suffragette’ tells the story of the women that fought for
our equal rights and the right to vote that women have today. The film tells the fight from the perspective
of working class women; this makes it much more relatable than if it were a
story focusing on the wealthy, high society women who lead the movement. It
communicates that this was a fight for all regardless of class and needed
unification in order to succeed.
The film guides the audience through the narrative with the
character of Maud, a fictional character she is the outsider, the converted
suffragette, the figure the audience can relate to. A cinematic tool that is
used in numerous films but is used to great effect in Suffragette; many will be
able to relate to Mulligans heart wrenching performance when she discovers her
youngest child has been put up for adoption. The scene is one of desperation
and hopelessness as Maud sobs at the loss of her son and the injustice of her
life.
As her ideas about her value and role in society are
questioned and she is ostracised for her beliefs from the community she has
always known. She comes to embrace a new family and way of thinking. The turning point comes when she meets
Emmeline Pankhurst (Meryl Streep) and Pankhurst imparts the inspiring quote
‘Never give up, never give up the fight’.
Suffragette portrays its history with brutal reality; it is
at times visceral and hard to watch. The scene outside parliament where the
chancellor announces there will not be a change in the suffrage bill was
particularly affecting. Tension is created with the arrival of riot police and
the peaceful protest soon derails into chaos. This is conveyed purposefully
through the cinematography, the action is at times blurry and in-cohesive, it
gives the audience a very real feeling of being at the center of the chaos.
This scene stirred thoughts of the Sharpeville massacre during apartheid in the
1960’s. Innocent peacefully protesting women were beaten by police much like
the Africans were shot at by the police. To paraphrase Nelson Mandela if peace
is met with only violence, then the protesters must use violence otherwise it
is an unfair fight. To apply this to the suffragette movement the women used
violence because peaceful protest fell on deaf ears. Much like the apartheid
protesters of the 1960’s the suffragettes used sabotage to wound the enemy, no
lives were ever intended to be harmed. It is clear to me there were
similarities between the two movements.
A similar feeling of confusion is created the first time
Maud is incarcerated in prison, she does not understand what is going on and is
scared. She has not joined the fight yet and this comes as a shock. The scene
is again a relatable one as many would find themselves feeling the same.
The most brutal scene of the whole film is where Maud, in prisoned
again and this time a committed member of the cause: (she has already been
shunned by her community, lost her job and her son so really has nothing to
lose; this appears to be a system of challenges that every freedom fighter must
go through,) goes on hunger strike and is after five days force fed. The scene
is barbaric and brutal you want to look away from the screen, a similar feeling
is stirred throughout of much of Steve McQueen’s ‘12 Years a Slave’. However I
did not look away as I feel it is important that we relay and remind ourselves
of our history however stained it may be and I feel it is credence to
‘Suffragette’ for showing the plight for women’s rights unreservedly. You
admire the suffragettes so much more for what they achieved and the courage
they had to stick to their beliefs because of the hardships they faced.
The film is told truthfully and with historical accuracy,
there is no glamorizing, the women all appear natural with no makeup, which is
in part its beauty. The women are relatable; representative of all of society,
from the women in the laundry to the educated doctor or the politician’s wife, a
different type of trapped life is shown through the latter, Alice Haughton the
wife of a politician. She is paid bail by her husband and petitions him to pay
for the other women. He refuses, reminding her she should know her place. Illustrating
that women of all rank were discriminated against one way or another.
I found the portrayal of the men in the film fascinating: Maud’s
husband Sonny (played by Ben Whishaw) was a man of the times he lived in,
integrally kind and loving but still prejudiced and stubborn. Hugh Ellyn
(Finbar Lynch) the husband of Edith Ellyn (Helena Bonham Carter), a militant
suffragette; was a man ahead of his time, a believer in gender equality. There
were also the police inspectors and government official’s hell bent on keeping
women in their place. Much like the women of the film the men were portrayed
representative of the time with conviction and believability.
One of the most poignant scenes in the film is when Sonny
tells Maud that the law will side with him, that his children are his property
if they divorced. I found this remarkable and ironic, considering in the 21st
century fathers now campaign for the right to more access to their children and
complain the law sides with the mother too much. Perhaps that is why: men had it
their way for so long, now women should have it theirs. But that wouldn’t be
the argument of the suffragettes, as Maud states ‘I am worth no more no less
than you’.
The second scene I found particularly affecting is where
Maud goes back to the laundry and takes Maggie, a friend’s oldest daughter who
is being abused by the owner just like Maud was and petitions Alice Haughton,
an upper class suffragette to employ her as a servant. To me this is Maud
saying that she recognises that the world won’t change straight away but this
is her small part that she can change.
The film ends with the death of Emily Davidson and her
funeral. It is at this point the suffragette movement receives worldwide
coverage, a turning point in its effectiveness. Several captions role after the
film ends, explaining how the vote for all women was achieved in 1928 in the UK
and then goes on to list when the vote for all women was achieved in other
countries and continents. This I found truly fascinating; New Zealand secured
the vote in 1893 some thirty years earlier than the UK. Australia granted the
right to vote in in 1902 while other European countries were much later, with
Italy not granting its females the right until the 1950’s and Switzerland in
the 1970’s. The film also provoked the audience to consider the ongoing fight
for women’s rights in the Middle East in countries such as Saudi Arabia which
to this day has not granted women the right to vote. I was watching an
interview with Malala Yousafzai the other day and she spoke of her aim to
achieve education for all girls. This shows that we still haven’t reached
equality in many parts of the world, that there is still a cause to fight for
in order to achieve fairness in every society.
It seems mad a film like ‘Suffragette’ hasn’t been made
before but despite the wait the final product is excellent relaying this
inspirational piece of our history in such an accurate, inspiring and dynamic
way. Everyone should see this film, it is brilliant a master piece of British
filmmaking, with a phenomenal cast and tells a story that very women should
share and remember.
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